Writing

Select Creative Writing

2024 “Vessel” in Map Magazine

2024 “bright pink sky” in Pink Witch

2023 “Titration toward naming my emotions” & “Contiguousness laughter” in theHythe

2023 “My ancestor is a beloved ecosystem” in Contemporary Verse 2

2023 “Becoming at Sea” and “Fragments of her” in Waxwing Magazine

2023 “Dreams of Saltwater” & “Birdsong / the pattern that repeats” in swamp pink

2022 “Fine Art” & “Ars Poetica With Footnotes“ in Granta Magazine

2022 “I ask the garden” in bathmagg

2020 “Second Memory” co-authored by Pratyusha in Room Magazine

2020 “You Know It But It Don’t Know You” after artwork by Tako Taal in MAP Magazine

2020 “The Fish that Halved Water” in Arc Poetry Magazine

2020 “Meditation While Plaiting My Hair” & “The Ghosts that Visit Us as We Dream” in VIDA Review

2020 “Self-Addressed” in The Learned Pig

2020 “This Place Where We Make Things” in Poetry London (no. 96)

2020 “Avian Circulatory System” in Best Canadian Poetry 2020 & The Fiddlehead

2019 “Hinge” in Gulf Coast Magazine

2019 “Snow Hare” in Guernica Magazne

2019 “Snapshot of My Father” in Arc Poetry Magazine & The Best Canadian Poetry 2019

2019 “House of Prayer” in Palette Poetry

2019 “We Create Our Own Ghosts” in Haunted Voices: An Anthology of Gothic Storytelling in Scotland (Haunt Publishing)

2019 “Origin of Water II,” “A Dark Bird,” “My Father’s Canada,” and “Another Last Prayer” in The Southeast Review

2019 “Fire Starter” and “Self-Portrait as Fish Eye” in Islands Are But Mountains: New Poetry from the United Kingdom (Platypus Press)

2019 “The Making of a Ghost in The Paris Review Daily

2019 “Held In” in The Malahat Review (no. 36)

2019 “My Body is a Forest,” “My Inheritance is to Long for [ ],” & “There Are Parts of Myself I Have Watched Die” in The Adroit Journal

2019 “Belief as an Ocean Landscape,” “Elegy for My Mother’s Sister,” “No Homeland Ghazal,” & “Ways of Looking” in Ploughshares Magazine (no. 138)

2019 “Self-Portrait as a Lost Language” in The Adroit Journal

2019 “Replacements” in The Puritan

2019 “How We Begin” in Tinderbox Poetry Journal

2019 “Hawwa Discovers Adam by the River” in Third Coast Magazine (no. 46)

2018 “Self-Addressed” in The London Magazine (Dec – Jan 2019 Issue)

2018 “Elsewhere,” “On My Tongue,” & “First Languages” in The /tƐmz/ Review

2018 “Hawwa is Creating Her Garden” in Wigtown Book Festival’s Poetry Competition

2018 “When the Wolves Appear” in Tupelo Quarterly

2018 “Life Cycle of Flowers” in Room Magazine (vol. 41, no. 2)

2018 “Origins” in PRISM Magazine (vol. 56, no. 4)

2018 “Invocation” & “Fire Starter” in Prairie Schooner (vol. 92, no. 1)

2018 “Endearments” in Glass: A Journal of Poetry 

2018 “Faded” in Glass: A Journal of Poetry

2017 “Ode to My Mother’s Hair” in wildness

Select Book Reviews and Essays

2024 “On […] by Fady Joudah” in Wasafiri Magazine (no. 119)

2024 “Stones of Scotland / (a)version” in Gathering: women of colour on nature (404 Ink)

2024 “On the creation of new ecological writing” in Intersectional Feminist Research Methodologies

2023 “On A Flat Place by Noreen Masud” in The Big Issue

2022 “Reflections in Lake District Mist” in New Ohio Review

2021 “Fog Theory: lost in the white gaze” in Wild Court

2020 “BecomOing Ivy: Skin-possibilities in Ban en Banlieue by Bhanu Kapil” in Versopolis Review

2020 “I Love the Alien Foliage: On How to Wash a Heart by Bhanu Kapil” in The Scores Journal

2020 “Shifting Spaces of Love: A review of Doyali Islam’s heft” in The Adroit Journal

2020 “On two anthologies: Makar/Unmakar and Writing Home” in The Poetry Review (vol. 110, no. 1)

2020 “On I Am A Rohingya: Poetry from the Camps and Beyond” in The Glasgow Review of Books

2020 “On Sonnet’s Shakespeare by Sonnet L’Abbé” in The Malahat Review

2019 “On The Protection of Ghosts by Natalie Lihn Bolderston” in amberflora

2019 “On Known by Salt by Tina Mozelle Braziel” in The Scores Journal